Introduction
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| The instrument
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| Stringing
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| Tuning
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| Some practical advice on tuning
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| Holding the Lute
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The Lessons
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1: | The right hand
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2: | The left hand
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3: |
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| 1 | Ein Niderlandisch tenzlein
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| 2 | Pegaramey
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| 3 | A Toy
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| 4 | A Toy
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| 5 | Ein guter Hofftanz
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| 6 | Der hupff and zum Hofftanz
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| 7 | Noch Willen Dein
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4: |
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| 8 | Willson Wilde
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| 9 | Calleno
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| 10 | Packington's Pound
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5: |
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| 11 | The Buffens
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| 12 | What if a day
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| 13 | A Toye { Bara Fastus' Dream }
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6: |
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7: | The diapasons
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| 14 | Curent
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| 15 | Ranle gay
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| 16 | Courante. Facques Polonois
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| 17 | Mall Simmers
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| 18 | Go from my window
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8: |
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| 19 | Passagio
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| 20 | {Without title}
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| 21 | Passagio
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| 22 | Diminutio
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9: |
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| 23 | Prelude
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| 24 | Fantasie / D'albert / Fantasie / D'albert / Fantasie
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10: |
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11: | Italian tablature
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| 25 | Pavaniglia
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| 26 | Contrapasso nuovo
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| 27 | La rocha'l fuso
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| 28 | Zorzi Gagliarda
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| 29 | Ti { entalora } balento da balar bello
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| 30 | Pavana alla venetiana
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| 31 | Fantasia de F. Milanese
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| 32 | Francesco Spinacino, Recercare
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| 33 | Pavana alla ...
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| 34 | Recercata di Francesco Milanes
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12: | The hexachord
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13: | Spanish music and the vihuela
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| 35 | Fantasia del primero tono
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| 35a | Fantasia del primero tono
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| 36 | Fantasia II
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| 37 | Fantasia del tercero y quarto tono
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| 38 | Fantasia de pasos largos desemvolver las manos
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14: | More about Spanish music / Questions
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| 39 | Conde Claros del sesto tono
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| 40 | Fantasia de redobles
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15: | Scales
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16: | The use of graces in Renaissace lute music
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17: | The performing of graces
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18: |
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| 41 | Ricercar II ala spagnola facile
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| 42 | Pavano novissima detta la Lucretia
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| 43 | Ballet
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| 44 | Psalm 58
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19: | Graces in English scores
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| 45 | Cuttings comfort
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| 46 | Watkins Ale
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| 47 | Battle Galliard
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| 47a | Battle Galliard
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| 48 | Fantasia
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| 49 | Allmayne by m' Ro Johnson
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| 50 | finis a galiard by m' Dowland
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20: | Intabulations of polyphonic vocal music
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| 51 | Il me suffis by Caludin de Sermisy
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| 51a | Il me suffis by Caludin de Sermisy
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| 52 | Tant que vivray by Caludin de Sermisy
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| 52a | Tant que vivray by Caludin de Sermisy
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| 53 | Comencian las cancionses franceses y esta es una que llaman la . cansion del Emperador del quarto tono de Jusqin , by Luys Narvaez
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| 53a | Comencian las cancionses franceses y esta es una que llaman la . cansion del Emperador del quarto tono de Jusqin , by Luys Narvaez
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21: | The interpretation of signs in the French air de cour
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| 54 | Airs
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| 55 | Mounsier Ballard , his Coranto
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22: | The half barre
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23: | German tablature
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| 56 | das erst fundamet
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| 57 | Die anber Kegel
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| 58 | Die anber Kegel ii
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| 59 | Die anber Kegel iii
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| 60 | Die anber Kegel iiii
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| 61 | Die anber Kegel v
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| 62 | Die anber Kegel vI
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| 63 | Die anber Kegel vi
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| 64 | Das anber Puamell
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| 65 | Amour De Suis (不明)
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| 66 | Pavana genant
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| 67 | Galliarde
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| 68 | Englesa
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| 69 | corranto
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| 69a | corranto
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24: | Cifra nueva
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| 70 | De cifra nueva, Segunda fantesia del quarto tono
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| 70a | De cifra nueva, Segunda fantesia del quarto tono
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25: | The ten-course lute
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| 71 | corant
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| 72 | Courrante du Sieur Mesangeau
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| 73 | volta, MIchaelagnola Galieli
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26: |
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| 74 | Walshingham, Francis cutting
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| 75 | Rosa, John Daniel
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List of Sources and Modern Edition
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